reading
Books (reviews forthcoming)
- The Canterville Ghost, The Happy Prince, and Other Stories by Oscar Wilde
- A Wrinkle in Time by Madeleine L'Engle
- Putty Pygmalion by Lonnie Garcia
- Baptism in the Mud by Cam McCafferty
- The Unworthy by Agustina Bazterrica
Other stuff
- "Seven Days at the Bin Store" by Jen Kinney
- "History Lesson - Adam Kirsch's On Settler Colonialism is an anti-woke screed disguised as serious scholarship by Laleh Khalil
- "Auditing Algorithms in Commercial Discovery Services" by Matthew Reidsma
- "Four Theses for Critical Library and Information Studies: A Manifesto" by Jonathan Cope
watching
Movies & TV
- Dead Poets Society, dir. Peter Weir
- It was fine. It didn't make me feel the same way it seems to do for everyone else, and without the emotional aspect, it's honestly a little bit boring. I think it was a little bit too melodramatic for me, perhaps. Also, the more I think about it, for as much as this movie is about the importance and impact of art, it draws from an extremely limited well of literature and the characters' interactions with that literature almost feel like an afterthought. I was never convinced that any of them were truly affected by the poetry they read (save for the main character when he's performing Shakespeare). And it's not an inherent flaw, but I found it a bit odd that a movie set in the 1950s about poetry and rebellion did not so much as allude to the Beat Poets, and is strangely avoidant of the politics of poetry even though that would have been top-of-mind at the time (this takes place four years after the Howl obscenity trial!) Because this is some fancy private boys' school filled with mostly rich, elitist white boys, whose version of "rebellion" is publishing prank pieces in the school newspaper, hanging out outside of school, and standing on their desks a couple of times, it just rang a bit hollow to me. I wasn't convinced that, after graduating, these boys wouldn't just continue to conform and feed into the status quo, just like their parents, the only difference being their appreciation for Byron.
- A Minecraft Movie, dir. Jared Hess
- This is one of the worst (high-budget) things I've ever seen. Paced and edited for iPad babies to the point that it's incomprehensible; so irony-pilled that I'm convinced nobody involved actually likes Minecraft or gaming all that much... this is all the more strange to me because Minecraft is actually a game which involves a lot of patience and focus and really is not a fast-paced action game so I'm doubtful if the scriptwriters and director have ever even played the game. I didn't think this was going to be good but wondered if it could possibly be an inoffensive, decently enjoyable blockbuster like Detective Pikachu or Sonic the Hedgehog, but this is just... awful. If this is the future of children's media, I don't think our species deserves to keep procreating.
- The X-Files season 1
- I never got beyond season 1 in the past even though I really love it! Now I'm rewatching it with my partner and we're on season 2. I just love everything about this show. It hops genres and does so many different kinds of storylines so well. It sometimes genuinely spooks me. And, of course, I'm obsessed with Mulder and Scully's relationship. Some of my favorite season one episodes are "Ice," "Space," and "Darkness Falls," though there are so many more that I really enjoyed. Can't wait to keep watching!
YouTube videos
- "I Saw the TV Glow, The Matrix, and Trans Gnostic Stories" by Rambleable
- "be your own algorithm" and "work" by pagemelt
- "Everyone's Cheating at Chess (Allegedly)" by Sarah Z
- "Skeptic goes to a Paranormal College" by Dr. Caelan Conrad
- "Why the Industry tried to stop the greatest rapper of all time." by F.D. Signifier (this video is about Lupe Fiasco who is one of my favorite rappers and I highly recommend it even if you don't know a lot about rap/hip-hop!)
- "The Philosophy of Final Destination" by The Morbid Zoo
- "Sleepaway Camp | Anatomy of a Franchise" by In Praise of Shadows
Added to TBR
- Information Politics: Liberation and Exploitation in Digital Society by Tim Jordan
- De Profundis by Oscar Wilde
- The Soul of Man Under Socialism by Oscar Wilde
- Whale Fall by Elizabeth O'Connor
- Secret Cinema: Gnostic Vision in Film by Eric G. Wilson
- Snow Crash by Neil Stephenson
- Lessons from the Identity Trail: Anonymity, Privacy, and Identity in a Networked Society edited by Ian Kerr, Valerie Steeves, and Carole Lucock
- Coercion: Surviving and Resisting Abortion Bans by Kylie Cheung
- Normal Life: Administrative Violence, Critical Trans Politics, and the Limits of Law by Dean Spade
- Eden: It's An Endless World series by Hiroki Endo
- Engine Summer by John Crowley
- The Wretched of the Earth by Frantz Fanon
- Colonizing Palestine: The Zionist Left and the Making of the Palestinian Nakba by Areej Sabbagh-Khoury
- "The Digital Packrat Manifesto" by Janus Rose
- "Trapped in the Maw of a Stillborn God" by Edward Ongweso Jr.
- "Against the Paved Web (or, why we can't have nice things)" by Lou Millar-Machugh
- "The Puritanical Eye: Hyper-mediation, Sex on Film, and the Disavowal of Desire" by Carlee Gomes
- "Of Captive Storm Gods and Cunning Foxes: New Insights Into Early Sumerian Mythology, with an Edition of NI 12501 by Jana Matuszak
Added to Watchlist
- The Decline of Western Civilization dir. Penelope Spheeris
- Suburbia dir. Penelope Spheeris
- Dudes dir. Penelope Spheeris
- Zack and Miri Make a Porno dir. Kevin Smith
- Pachamama: Our Land dir. Peter Nestler
- The Prowler dir. Joseph Zito
- The Lovers on the Bridge dir. Leos Carax
- Invisible Girlfriend dir. David Redmon & Ashley Sabin
- Penguin's Memory: A Tale of Happiness dir. Shunji Kimura
commonplace
"Sometimes entertainment is an overrated function of art. Sometimes being made uncomfortable is the point. Sometimes being repulsed by something is the point."- Simon Pegg, Simon Pegg's Closet Picks
"By demonizing any scholarly concept that might have normative implications—and thus function as a call to action—as illegitimate “ideology,” Kirsch effectively advocates for a sterile form of knowledge production, in which thinking and writing are hermetically sealed off from affecting the real world." - Laleh Khalil, "History Lesson"
"The vision of the ideologically neutral library should be consigned to the proverbial dustbin of history. The argument that—particularly in 2015—a social subject can operate in the world—particularly in a professional/occupational setting—and not be shaped ideologically by larger social forces is difficult to sustain. Every decision made by a librarian to include or exclude an item from a collection, every interaction with a patron, every managerial policy written, is shaped by innumerable social forces. The belief that a professional could operate in some kind of strictly value neutral way contradicts common sense and history." - Jonathan Cope, "Four Theses for Critical Library and Information Studies: A Manifesto"